I started with the Handel Gavotte (soprano), first playing it through, and then doing various 3-note songs using the high A/B flat/C combination. Then I worked on more memorization of part B, particularly measures 4 through 8 of that part. That went pretty well.
Then I moved on to the Van Eyck 32 Comagain, modo 3. I worked for a bit on the digadi tongueing on the combinations of two sixteenth plus one eighth notes. Then I played through the different sections, working on the rhythms.
Next, I switched to alto and worked on the Chedeville Musettes, concentrating on the port de voix and appoggiatura ornaments. This part of my practice wasn't very focussed - I need to hone the note combinations and timing before I start playing the whole of the pieces, which aren't difficult aside from the ornaments.
Finally, I worked on the Linde 19, isolating the right and left hand motions on the difficult note combinations. Then I played it through - it's doing much better.
0 comments:
Post a Comment